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Invincible (Michael Jackson album)

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  (Redirected from 2000 Watts (Michael Jackson song))
Invincible
Mjinvincible.jpg
Studio album by Michael Jackson
Released October 30, 2001
Recorded October 1997 – September 2001
Genre
Length 77:05
Label
Producer
Michael Jackson chronology
20th Century Masters – The Millennium Collection: The Best of Michael Jackson
(2000)
Invincible
(2001)
Love Songs
(2002)

Singles from Invincible
  1. "You Rock My World"
    Released: August 22, 2001
  2. "Cry"
    Released: December 1, 2001
  3. "Butterflies"
    Released: February 8, 2002
Invincible is the final studio album by American recording artist Michael Jackson. It is his sixth studio album released through Epic Records, as well as his tenth studio album overall. It was released on October 30, 2001. Similar to Jackson's previous material, Invincible explores themes such as love, romance, isolation, media criticism, and social issues.
The album peaked at number one in eleven territories worldwide, including the United States (with first-week sales of 363,000 units), the United Kingdom, Australia, France and Switzerland. Invincible charted within the top ten in six other territories; its least successful charting area was Mexico, where the album peaked at number 29. Total sales for the album are estimated to be at 10 million copies.[2][3] Upon release, the album received mixed reviews from contemporary music critics.

Contents

Background

During Jackson's time as a member of The Jackson 5, he frequently wrote material for the group and began working on projects as a solo artist, which eventually led to recording his own studio albums, notably Thriller (1982) and Bad (1987). The success of Thriller, which still holds its place as the best selling album of all time with a reported 68 million units sold, often over-shadowed Jackson's other projects. Prior to the release of Invincible, Jackson had not released any new material since Blood on the Dance Floor: HIStory in the Mix in 1997, or a studio album since HIStory: Past, Present and Future, Book I in 1995. Invincible was thus looked at as Jackson's 'career come back'.[1]
Invincible is dedicated to the fifteen-year-old Afro-Norwegian boy Benjamin "Benny" Hermansen who was stabbed to death by a group of neo-Nazis in Oslo, Norway, in January 2001.[4] The reason for this tribute was partly due to the fact that another Oslo youth, Omer Bhatti, Jackson's friend, was also a good friend of Hermansen.[4] The dedication in the album reads, "Michael Jackson gives 'special thanks': This album is dedicated to Benjamin 'Benny' Hermansen. May we continue to remember not to judge man by the color of his skin, but the content of his Character. Benjamin ... we love you ... may you rest in peace."[4] The album is also dedicated to Nicholette Sottile and his parents Joseph and Katherine Jackson.[4]

Production

Jackson began recording new material for the album in October 1997, and finished with "You Are My Life" being recorded only eight weeks before the album's release in October 2001 - the most extensive recording of Jackson's career.[5] The tracks with Rodney Jerkins were recorded at The Hit Factory in Miami, Florida.[6] Jackson had shown interest in including a rapper on at least one song, and had noted that he did not want a 'known rapper'.[5] Jackson's spokesperson suggested New Jersey rapper named Fats; after Jackson heard the finished product of the song, the two agreed to record another song together for the album.[5] Rodney Jerkins stated that Jackson was looking to record material in a different musical direction than his previous work, describing the new direction as "edgier".[5] Jackson received credit for both writing and producing a majority of the songs on Invincible. Aside from Jackson, the album features productions by Jerkins, Teddy Riley, Andre Harris, Andraeo "Fanatic" Heard, Kenneth "Babyface" Edmonds, R. Kelly and Dr. Freeze Bill Gray and writing credits from Kelly, Fred Jerkins III, LaShawn Daniels, Nora Payne and Robert Smith.[7] The album is the third collaboration between Jackson and Riley, the other two being Dangerous and Blood on the Dance Floor: HIStory in the Mix. Invincible is Jackson's tenth and final studio album to have been recorded and released.[8] It was reported that it cost thirty million dollars to make the album,[9] making it the most expensive album ever made.[10]

Composition

Invincible is composed of R&B, hip hop, dance-pop, adult contemporary and urban songs.[11] The album's full length is seventy-seven minutes eight seconds, and it contains 16 songs - fifteen of which were written (or co-written) by Jackson. It was noted that the album shifts between aggressive songs and ballads.[12] Invincible opens with "Unbreakable"; the last line in the first verse recites the lyrics, "With all that I've been through/I'm still around".[11] In a 2002 interview with the magazine Vibe, Jackson commented on his inspiration for writing "Speechless", saying
You'll be surprised. I was with these kids in Germany, and we had a big water-balloon fight - I'm serious - and I was so happy after the fight that I ran upstairs in their house and wrote "Speechless". Fun inspires me. I hate to say that, because it's such a romantic song. But it was the fight that did it. I was happy, and I wrote it in it's [sic] entirety right there. I felt it would be good enough for the album. Out of the bliss comes magic, wonderment, and creativity.[13]
"Privacy", a reflection on Jackson's own personal experiences, is about media invasions and tabloid inaccuracies.[11] "The Lost Children" is about imperiled children.[11] Jackson sings in a third person in "Whatever Happens". The song's lyrics, described by Rolling Stone magazine as having a "jagged intensity", narrate the story of two people involved in an unnamed threatening situation.[11] Invincible features four ballads: "You Are My Life", "Butterflies", "Don't Walk Away" and "Cry".[11] "Cry", similar to Jackson's "Man in the Mirror", is about healing the world together.[1] The lyrics to "Butterflies" and "Break of Dawn" were viewed as "glaringly banal" and it was implied that they could have been written by anyone.[12] "Threatened" was viewed as being a story teller.[11] The song was viewed as a "Thriller redux".[12] The song "You Are My Life" is about Jackson's two children at the time, Prince and Paris.[14] The song features Jackson singing, "You are the sun, you make me shine, more like the stars."[12]

Promotion and singles

It was reported that the album had a budget of twenty five million dollars set aside for promotion.[9][15] Despite this, however, due to the conflicts between Jackson and his record label, little was done to promote the album.[16] The album spawned three singles, although all were given limited releases. "You Rock My World" was only released to radio airplay in the United States, consequently only peaking at number ten on the Billboard Hot 100. Internationally, where it was released as a commercial single, it was more successful, peaking at number one in France, number two in Norway, Finland, Denmark, Belgium and the United Kingdom, number three in Italy, number four in Australia, and five in Sweden and Switzerland.[17] The second single, "Cry", was not released in the United States. It was only moderately successful, with the song's most successful territories being Spain, Denmark, France and Belgium, charting at number six, sixteen, thirty and thirty one.[18]
The album's third and final single, "Butterflies", was only released in the United States to radio airplay, consequently only peaking at number fourteen on the Billboard Hot 100 and at number two for five weeks on the Hot R&B/Hip-Hop Singles Chart.[19] "Heaven Can Wait" also charted at the bottom of the R&B/Hip-Hop Charts, at number seventy two due to radio airplay without an official release; the song did not chart internationally.[19] "Unbreakable" was originally supposed to be released as a single, but it was ultimately cancelled.[20] It was however, later included on The Ultimate Collection box set.
Unlike with most of Jackson's adult studio albums, there was no world tour to promote the album (world tour was cancelled due to conflict between Jackson and his record label). There was, however, a special 30th Anniversary celebration at Madison Square Garden in September 2001 to mark Jackson's 30th year as a solo artist. The singer performed a song from Invincible and marked his first appearance onstage alongside his brothers since The Jacksons' Victory Tour in 1984.[21] The show also featured performances by Britney Spears, Mýa, Usher, Whitney Houston, Tamia, 'N Sync, and Slash, among other artists.[22] The show aired on CBS in November 2001 as a two-hour television special and garnered 29.8 million viewers.[23]
Following Sony's decision to abruptly end all promotion for the album, Jackson made allegations in July 2002 that Mottola was a "devil" and a "racist" who did not support his African-American artists, but merely used them for his own personal gain.[9][24] The singer accused Sony and the record industry of racism, deliberately not promoting or actively working against promotion of his album.[25] Sony disputed claims that they had failed to promote Invincible with sufficient energy, maintaining that Jackson refused to tour in the United States.[26]

Critical and public reception

Professional ratings
Review scores
Source Rating
AllMusic 3/5 stars[1]
Blender 2/5 stars[27]
Robert Christgau A-[28]
Entertainment Weekly C-[12]
The Guardian 2/5 stars[29]
NME 6/10[30]
Q 3/5 stars[31]
Rolling Stone 3/5 stars[11]
The Rolling Stone Album Guide 1/5 stars[32]
Slant Magazine 2.5/5 stars[33]
USA Today 2/4 stars[34]
Invincible received mixed reviews from contemporary music critics. At Metacritic, which assigns a high rating out of 100 to reviews from mainstream critics, the album received a mixed score of 51 based on 19 reviews.[35] AllMusic editor Stephen Thomas Erlewine commented that it has a "spark" and "sound better than anything Jackson has done since Dangerous."[1] Erlewine noted that while the album had good material it was "not enough to make Invincible the comeback Jackson needed - he really would have had to have an album that sounded free instead of constrained for that to work - but it does offer a reminder that he can really craft good pop."[1] David Browne of Entertainment Weekly, felt that Invincible is Jackson's "first album since Off the Wall that offers virtually no new twists" but remarked that the album "feels like an anthology of his less-than-greatest hits".[12] James Hunter of Rolling Stone critiqued that the album's later ballads made the record too long.[11] Hunter also commented that Jackson and Riley made "Whatever Happens" "something really handsome and smart", allowing listeners "to concentrate on the track's momentous rhythms" such as "Santana's passionate interjections and Lubbock's wonderfully arranged symphonic sweeps".[11] Mark Beaumont of NME called it "a relevant and rejuvenated comeback album made overlong",[30] while Blender also found it "long-winded".[36]
In his review for The Village Voice, Robert Christgau said that Jackson's skills as a musician are often forgotten, but noted that the album seemed too long compared to other Jackson albums.[28] While Christgau felt some material was "offensive", he described the album's first three tracks as being the "Rodney Jerkins of the year" adding that he did not "believe the [album's] hype matters".[28] Nikki Tranter of PopMatters said that it is both innovative and meaningful because exceptional songs such as "The Lost Children" and "Whatever Happens" more than make up for overly sentimental songs like "Heaven Can Wait" and "You Are My Life".[37] Q magazine said that it is an aurally interesting, albeit inconsistent, album.[31] In a negative review for The New York Times, Jon Pareles suggested that the album is somewhat impersonal and humorless, as Jackson rehashes ideas from his past songs and is "so busy trying to dazzle listeners that he forgets to have any fun."[38] In a retrospective review for The Rolling Stone Album Guide, Pareles said that Invincible showed Jackson had lost his suave quality to "grim calculation".[32]
Shortly after the release of the album, in a poll conducted by Billboard magazine, "an overwhelming majority" of people—79% of 5,195 voters—were not surprised by Invincible entering the Billboard 200 at number one.[39] Billboard also reported that 44% agreed with the statement, proclaiming that Jackson was "still the King of Pop". Another 35% said they were not surprised by the album's ranking, but doubted Invincible would hold on for a second week at the top of the chart.[39] Only 12% of people who responded to the poll said they were surprised by the album's charting debut because of Jackson's career over past six years and another 9% were taken aback by the album's success, due to light of the negativity that preceded the album's release.[39] Invincible received one Grammy Award nomination at the 2002 ceremony. The album's song "You Rock My World" was nominated for Best Pop Vocal Performance - Male, but lost to James Taylor's "Don't Let Me Be Lonely Tonight".[40] Due to the album's release in October 2001, it was not eligible for any other nomination from the 2002 Grammy Awards.[41] In December 2009, (just a few months after Jackson's death) readers of Billboard magazine voted Invincible as the best album of the decade, from their readers poll.[42]

Commercial performance

Invincible was Jackson's first studio album to be released in four years, since Blood on the Dance Floor: HIStory in the Mix in 1997.[43] In the album's first week of release, with the sales of 363,000 units, the album debuted at number one on the Billboard 200 on the charts issue date of November 17, 2001.[43][44] Invincible was Jackson's fifth number one entry on the Billboard 200,[43] and the fourth to chart at number one in its debut week as a solo artist. Despite the first week sales of Invincible being good, the album sold less than HIStory in its opening week, with the album having sold 391,000 units.[43] Invincible also charted at number one on Billboards R&B/Hip Hop Albums Chart for four weeks.[45] After eight weeks of release, in December 2001, Invincible was certified gold by the Recording Industry Association of America (RIAA) for the sales of five hundred thousand units.[46] In the same month the album was certified platinum for the sale of one million units.[46] On January 25, 2002, the album was certified two times platinum for the sales of two million units.[46] Some of the songs from Invincible would be used for the Immortal World Tour[47]
Internationally, Invincible was a commercial success. The album peaked at number one in twelve countries worldwide,[43] including the United Kingdom, Australia, Belgium, Denmark, The Netherlands, Germany, Norway, Sweden and Switzerland.[43][48] It also charted within the top ten in several countries, including Austria, Canada, Finland, Italy, New Zealand, and Norway.[48] Mexico was the album's least successful charting territory, peaking within the top thirty at number twenty nine.[48] The album has reportedly sold 10 million units worldwide.[49] However, the sales for Invincible were notably low compared to his previous releases, due in part to a diminishing pop music industry, the lack of promotion, no supporting world tour and the label dispute.[50] Commenting on the sales of Invincible back in late 2003, Bernard Zuel of The Sydney Morning Herald stated:
"Holly Valance or Delta Goodrem would think their Christmases had come at once if they sold five or six million copies of their albums worldwide. Michael Jackson did something similar in the past two years with his seventh solo album, Invincible, and he's been branded a failure in the industry and the media. Unfair? Yes, of course, because his Invincible figures are better than those for 95 per cent of the thousands of artists released each year and would provide a healthy retirement fund for anyone. What's more, that failure tag is consistently applied by comparisons with his 1982 album, Thriller, which has sold about 100 million copies and its follow-ups, Bad, that sold about 30 million copies. However, selling 10 million copies is still phenomenal compared to the album sales of most artists."[25]
In 2004, Invincible re-entered Billboard charts. Invincible placed at 154 on the Billboard 200 on December 4, 2004.[51] The album also reached at number forty eight on Billboards R&B/Hip Hop Albums Chart that same week.[51] Following Jackson's death in June 2009, his music experienced a surge in popularity.[52] Invincible charted at number twelve on Billboards Digital Albums Chart on July 11, 2009.[53] Having not charted on the chart prior to its peak position, the album was listed as the ninth biggest jump on that chart that week.[53] It also charted within the top ten, peaking at number nine, on Billboard's Catalog Albums Chart on the issue date of July 18.[51] On the week of July 19, 2009, Invincible charted at number eighteen in Italy.[54] Invincible peaked at number sixty four on the European Albums Chart on the charts issue date of July 25.[55] The album also charted at number twenty nine in Mexico in July,[56] and eighty four on the Swiss Albums Chart on July 19, 2009.[57]
Internationally, the album has received multiple certifications. Invincible was certified platinum by the British Phonographic Industry, for the sales of over 300,000 units in the United Kingdom.[58] The album was certified platinum by the International Federation of the Phonographic Industry (IFPI) for the sales of 40,000 units in Switzerland. The IFPI also certified the album gold in Austria for the sales of 15,000 units. Australian Recording Industry Association certified Invincible two times platinum for the sales of 140,000 units in Australia. Other certifications include, a gold certification from Argentine Chamber of Phonograms and Videograms Producers for the sales of 20,000 units in Argentina.

Track listing

No. Title Writer(s) Producer(s) Length
1. "Unbreakable"  
  • Jackson
  • Jerkins
6:25
2. "Heartbreaker"  
  • Jackson
  • Jerkins
  • Jerkins III
  • Daniels
  • Mischke
  • Norman Gregg
  • Jackson
  • Jerkins
5:10
3. "Invincible"  
  • Jackson
  • Jerkins
  • Jerkins III
  • Daniels
  • Gregg
  • Jackson
  • Jerkins
4:45
4. "Break of Dawn"  
  • Jackson
  • Dr. Freeze
5:32
5. "Heaven Can Wait"  
  • Jackson
  • Riley
  • Heard (co)
  • N. Smith (co)
4:49
6. "You Rock My World"  
  • Jackson
  • Jerkins
  • Jerkins III
  • Daniels
  • Payne
  • Jackson
  • Jerkins
5:39
7. "Butterflies"  
  • Jackson
  • Harris
4:40
8. "Speechless"   Jackson Jackson 3:18
9. "2000 Watts"  
  • Jackson
  • Riley
4:24
10. "You Are My Life"  
  • Jackson
  • Babyface
  • Carole Bayer Sager
  • John McClain
  • Jackson
  • Babyface
4:33
11. "Privacy"  
  • Jackson
  • Jerkins
5:05
12. "Don't Walk Away"  
  • Jackson
  • Riley
  • Richard Carlton Stites
  • Reed Vertelney
  • Jackson
  • Riley
  • Stites (co)
4:25
13. "Cry"   R. Kelly
  • Jackson
  • Kelly
5:01
14. "The Lost Children"   Jackson Jackson 4:00
15. "Whatever Happens"  
  • Jackson
  • Riley
  • Gil Cang
  • Jasmine Quay
  • Geoffrey Williams
  • Jackson
  • Riley
4:56
16. "Threatened"  
  • Jackson
  • Jerkins
  • Jerkins III
  • Daniels
  • Jackson
  • Jerkins
4:19
Total length:
77:01
Notes
  • "Unbreakable" features a rap verse by The Notorious B.I.G. The rap verse was originally from the song "You Can't Stop the Reign" by Shaquille O'Neal. It was written by Carl McIntosh, Jane Eugene and Steve Nichol.
  • "Heartbreaker" and "Invincible" feature a rap verse by Fats.
  • "Break of Dawn", "2000 Watts" and "Threatened" were excluded from the original Chinese release.[59] In the Chinese version box set The Collection released in 2013, all the 16 tracks are included.[60]

Personnel

Credits adapted from Invincible album liner notes.[7]

Charts

Chart (2001/2002) Peak
position
Australian Albums Chart[48] 1
Austrian Albums Chart[48] 2
Belgian Albums Chart[43] 1
Canadian Top 50[51] 3
Danish Albums Chart[48] 1
Finnish Albums Chart[48] 7
French Albums Chart[61] 1
German Albums Chart[43] 1
Italian Albums Chart[48] 2
Mexican Albums Chart[48] 29
New Zealand Albums Chart[48] 4
Norwegian Albums Chart[48] 1
Portuguese Albums Chart[48] 8
Swedish Albums Chart[48] 1
Swiss Albums Chart[48] 1
UK Albums Chart[58] 1
US Billboard 200[44] 1
US Top R&B/Hip-Hop Albums[51] 1
Chart (2004) Peak
position
US Billboard 200[51] 154
US Billboard Top R&B/Hip-Hop Albums[51] 48
Chart (2009) Peak
position
Australian Albums Chart[62] 43
European Albums Chart[55] 64
Italian Albums Chart[54] 18
Mexican Albums Chart[56] 29
Swiss Albums Chart[57] 84
US Catalogue Albums Chart[51] 9
US Digital Albums Chart[53] 12

Certifications

Region Certification Sales/shipments
Argentina (CAPIF)[63] Gold 20,000x
Australia (ARIA)[64] 2× Platinum 140,000^
Austria (IFPI Austria)[65] Gold 20,000x
Finland (Musiikkituottajat)[66] Gold 10,000[66]
France (SNEP)[67] Platinum 100,000*
Germany (BVMI)[68] Platinum 300,000^
Macao (IFPI Macao)[69] 2× Platinum 60,000[69]
Mexico (AMPROFON)[70] Gold 75,000^
Netherlands (NVPI)[71] Platinum 80,000^
New Zealand (RMNZ)[72] Gold 7,500^
Norway (IFPI Norway)[73] Platinum 50,000*
Poland (ZPAV)[74] Gold 50,000*
Portugal (AFP)[75] Gold 20,000x
Sweden (GLF)[76] Gold 40,000^
Switzerland (IFPI Switzerland)[77] Platinum 40,000x
United Kingdom (BPI)[78] Platinum 300,000^
United States (RIAA)[79] 2× Platinum 2,000,000^
Summaries
Europe (IFPI)[80] 2× Platinum 2,000,000*
*sales figures based on certification alone
^shipments figures based on certification alone
xunspecified figures based on certification alone

References


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  • Bibliography

    External links

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  • "French album certifications – Michael Jackson – Invincible" (in French). Syndicat National de l'Édition Phonographique. Retrieved 2014-10-26.
  • "Gold-/Platin-Datenbank (Michael Jackson; 'Invincible')" (in German). Bundesverband Musikindustrie. Retrieved 2014-10-26.
  • "蓝军并不总是受欢迎![Album and single certifications from 01.01.2015 - 06.30.2015]". Record Sales. Retrieved 2015-07-09.
  • "Certificaciones – Michael Jackson" (in Spanish). Asociación Mexicana de Productores de Fonogramas y Videogramas. Retrieved 2014-10-26.
  • "Dutch album certifications – Michael Jackson – Invincible" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved 2014-10-26.
  • "NZ Top 40 Albums Chart". Recorded Music NZ. Retrieved 16 January 2016.
  • "Norwegian album certifications – Michael Jackson – Invincible" (in Norwegian). IFPI Norway. Retrieved 2014-10-26.
  • "Polish album certifications – Michael Jackson – Invincible" (in Polish). Polish Society of the Phonographic Industry. Retrieved 2014-10-26.
  • "Portuguese album certifications – Michael Jackson – Invincible" (in Portuguese). Associação Fonográfica Portuguesa. Retrieved 2014-10-26.
  • "Guld- och Platinacertifikat − År 2001" (PDF) (in Swedish). IFPI Sweden. Retrieved 2014-10-26.
  • "The Official Swiss Charts and Music Community: Awards (Michael Jackson; 'Invincible')". Hung Medien. Retrieved 2014-10-26.
  • "British album certifications – Michael Jackson – Invincible". British Phonographic Industry. Retrieved 2014-10-26. Enter Invincible in the field Keywords. Select Title in the field Search by. Select album in the field By Format. Select Platinum in the field By Award. Click Search
  • "American album certifications – Michael Jackson – Invincible". Recording Industry Association of America. Retrieved 2014-10-26. If necessary, click Advanced, then click Format, then select Album, then click SEARCH
  • 17 Killer song IDEAS SONG

    17 Killer Intro Ideas for Your Songs

    4921624472_947e3a2d9f_z kabacchi
    This article is part 3 of a series on song sections that I call “Dividing Space.” You can read this article on its own or begin at the beginning.

    An Introduction to Introductions

    The introduction of a song may build anticipation. It may acclimate the listener’s ear to the music. It may seize the listener’s attention with aural pleasures or oddities.
    Actually, the intro can serve any function you like. But to select the type of introduction that’s best for any one song, it helps to have an idea of the range of possibilities.
    If you want to grab the listener by the ears from 0:01 on, try any of the ideas below.
    *          *          *
    1. Sound effects or general atmosphere. For a great example, check out the introduction to Marvin Gaye’s “What’s Going On?” Or, for something a little stranger, try “Everything You Can Think” by Tom Waits.
    2. Play the chord progression of the chorus or verse a few times. This will acclimate the listener’s ear to your song. If you’ve got something else interesting happening over the chords at the same time, even better!
    3. Use dramatic contrast that gets the attention of your listeners. Duke Ellington does this with staccato horn blats at the beginning of “Solitude,” which soon gives way to a beautiful, slow cascade of piano chords.
    4. Beginning Outside. Start in a different key from the one you’ll land on for the first verse.
    5. Begin with an instrumental hook from any section of the rest of the song.
    6. Sing a few notes a capella. Or a few lines. Or an entire section. There’s something about a naked human voice singing that commands attention—and then you have the supreme pleasure of renewing their interest yet again by bringing the band crashing down.
    7. Count it off. Especially fun with weird time signatures. 1! 2! 1-2-3-4-5-6-7-8-9-10…!
    8. Hooks. Absolutely anything that’s fetching to the ear.
    9. Filters. Cut a 78rpm of your intro and play it through a Victrola at the beginning of your song. Or do anything else that adds texture to your recording.
    10. Begin with a common chord progression from whatever key you’re playing in.
    11. Skip it altogether. Begin the first verse immediately. This can be a powerful approach, immediately immersing your listener in your sounds.
    12. Say Something! You can speak unaccompanied or with the rhythm section behind you. What you say is totally up to you—you could share an anecdote, the story behind the title of the song… you could even recite poetry! But please, if you pick that latter one, make sure you know what you’re doing first.
    13. Fade in. Slowly turn up the fader, bringing in the sounds of a piece in progress.
    14. Begin with the title. If you’re feeling sleepy, check out “Blast Off” by The Birthday Party. Did Nick Cave get your attention?
    15. Have an instrument play a vocal melody that we’ll hear later in the song. This is a great way to introduce the sound of the chorus at a time when the lyrics might not have proper context yet.
    16. Play rubato, or very loosely. Have your musicians play freely or with very loose tempo toward the beginning of the piece, then pull it all tight just in time for the first verse.
    17. Compose it. For any and all instruments that appear later in the song… or even more. String intros can sound great, even on songs that otherwise don’t use them. For an example, check out George Benson’s “The World is a Ghetto.”

    What other interesting intro ideas can you think up?

    Let us know in the comments! There must be more than 17 possibilities.

    —
    In part 4, the last part of this series, we’ll explore outros. How fitting!
    Hey, while you’re waiting, why not subscribe?
    Posted on September 9, 2010

    9 Responses to 17 Killer Intro Ideas for Your Songs

    1. Eric September 9, 2010 at 15:17 #
      It’s pretty hard to top “You Can’t Always Get What You Want”– hire the London Bach Choir to sing an acapella motet arrangement of the chorus, completely at a right angle to the rest of the style. Of course this is numbers 6, 14, and 17 on your list, so maybe my no. 18 is “Combine some of the above for added awesomeness.”
      • Nicholas Tozier September 9, 2010 at 15:34 #
        I completely forgot about that! I just picked up a great CD of Bach motets.
        Great recommendation–this list can definitely be used as a spice rack. Season to taste.
        And if any of y’all have got the budget to hire the London Bach Choir, you’ve earned my awe. And respect. And seething jealousy. 😉
    2. Ruth September 10, 2010 at 11:26 #
      So glad you included this…I’m so used to thinking, oh, the band’ll play it on the demo that I forget that when >I< want to play it solo, live, I shouldn't just dive in. Of course, I usually remember this when I'm just about to dive in, onstage…
      It's kinda like, I could have had a V-8…
      At least you’ve supplied some choices in addition to my usual skip it altogether…
      (One of my favorite intros is the acceptance of cash handed to me by adoring audience members, though. )
      • Nicholas Tozier September 10, 2010 at 17:39 #
        Hey Ruth!
        Whoa, really? That’s a new one to me, because I’ve always loved writing (or improvising) introductions.
        I haven’t had the good fortune of that latter intro. 😛
        One of my least favorite intros is telling a wandering drunk to leave my guitar/amplifier/soundboard the hell alone. Agh!
    3. Aaron April 18, 2011 at 19:08 #
      hey i love this article. why haven’t you made one about outros yet?
      • Nicholas Tozier April 18, 2011 at 19:35 #
        That is a damn good question, Aaron. An outro article is on its way!
        Thanks for giving me the much-needed prodding.
    4. Matt Blick April 18, 2011 at 19:48 #
      “One of my least favorite intros is telling a wandering drunk to leave my guitar/amplifier/soundboard the hell alone. ”
      Love it
      here’s some of mine
      watching the drummer fall off his bass drums (don’t ask) right through the middle of his kit and seeing the rest of the kit fall on top of him
      Accidentally play the intro in 7/8 cos you were thinking of a similar riff you’d been writing earlier in the day (“why the hell is the rest of the band staring at me like that?”)
      plug in a borrowed amp after yours has blown a fuse 30 seconds before you’re due to start.
      watch 50% of your sheet music fall through a gap in the stage 30 seconds before you’re due to start (this was during a theatre production)
      re – 12 , check out From The Ritz To The Rubble by Arctic Monkeys – awesome

    5. Jayson July 8, 2011 at 10:46 #
      The countoff approach always worked for the Ramones. I’m sure I’d have loved most of those songs anyway, but there’s something to Dee Dee’s 1-2-3-4s that grab you instantly before Johnny demands your attention.
      I particularly like the concept of #15. As a overly-devoted fan of Bill Frisell I have a very strong appreciation for grounding a song in the melody (even in his case if it’s an entirely instrumental version of a song with a well-known vocal melody).
      I’ve been playing for years, but have only recently begun to work on composing my own pieces. Thanks for the great advice in many of these articles.
      • Nicholas Tozier July 8, 2011 at 16:15 #
        “Take it, Dee Dee!”
        “ONE!TWO!THREE!FOUR!”
        I love the Ramones! I just finally heard Richard Hell and the Voidoids for the first time, too. Thanks for the awesome comment. Not sure how I missed the Dee Dee-style intro here.
        I’ve had some good Frisell experiences. His tracks on Masada Guitars were rad. And have you heard the two-disc album he did with Jim Hall? I love guitar duo albums.

    LYRICS

    7 Ways to Write Better Songs through Creative Writing

    Close up of a dirty vintage typewriter, warm filter
    Disclosure: the book recommendations below are Amazon affiliate links.
    Want to write better songs? Try writing something that’s not a song.
    At age eight, my pal James and I wrote a story about a werewolf terrorizing a small village – and a boy in a wheelchair rescuing the town through smarts and daring.
    Thanks to the help of our dedicated teacher, my coauthor James and I attached a spiral binding and set to work illustrating. We used a box of scented markers. The werewolf smelled like cinnamon. The blood of the villagers smelled like cherries.
    By the time I was ten, I’d set my mind on becoming a novelist. I read novels, wrote stories, imagined characters, and drew whole maps of imaginary worlds. I trudged to school each morning with haggard eyes because I’d been awake all night, reading J.R.R. Tolkien’s The Lord of the Rings under the covers with a flashlight. When I discovered Writer’s Digest books, I read them voraciously. Little by little, my writing improved.
    My love affair with fiction lasted twelve years. Novel writing wasn’t the path I chose after all, but the writing skills I built have been vital to me as a songwriter.

    To Write Better Lyrics, First Write For the Page

    I’m willing to bet that at some point in your life, perhaps as a child, you wrote a poem or invented fictional characters just for the joy of it. We can rediscover this simple joy of writing.
    To become a truly fluent songwriter and prepare yourself for all the challenges each new lyric poses, first it helps to be a good writer in general. Why not get your hands dirty by trying to write a little something creative in your spare time? You could try your hand at:
    • Journaling
    • Prose (writing blog posts and such)
    • Letter writing
    • Fiction (short stories and novels)
    • Speechwriting
    • Drama
    • Poetry
    We’ll examine each mode of literature below.
    I hope that you won’t worry yourself too much about whether your story, letter, or poem will “be any good”; the real goal is to get into an enjoyable habit of daily writing practice.

    Journaling

    Keeping a personal journal is a great way to kick start the writing habit.
    To begin journaling right now, just note the day’s weather, record your present mood, jot a few notes about whatever’s on your mind, and recount the day’s events. Easy, right?
    As a songwriter, you can make a journal even more useful. You can use a songwriting journal to:
    • Write about what a book you’re reading
    • Write about music you’re listening to
    • Scribble down ideas as they occur to you
    • Write exploratory fragments
    Journaling is a great way to make sense of your day, it creates a record for future reference, and it’s a pleasure. It’s also a good way to warm up for other forms of writing practice, including those below.

    Prose: Blog posts, etc.

    The lyric is a very short and restrictive form of writing, so writing prose can feel liberating — like emerging from the underbrush into a bright, spacious clearing. There’s plenty of room to explore any idea in prose, no matter how complex.
    Writing essays, articles, and blog posts for an audience is a great way to practice expressing ideas clearly. Revising your prose is especially helpful – writing multiple drafts of the same piece will make you a better writer.
    Strunk and White’s The Elements of Style is a classic guide to writing clearly and well – if you choose to get a copy, please make sure it’s the version with E.B. White’s chapters on style.

    Correspondence

    When’s the last time you received a handwritten letter from a friend?
    It can be a pleasure to sit and write a letter to a friend – it’s reflective like journaling, but it also connects you to another person. There might be somebody in your life who’d very much enjoy receiving a letter from you.
    Writing longhand can be very satisfying, and it can create a keepsake for your relationship with the person you’re writing to. If you prefer, though, you can always just type and email the letter.
    In an age when everyone seems to feel pinched for time, receiving a thoughtful, leisurely letter from a friend is a surprise. Letter writing in our present day and age is a very personal gift.
    For inspiring examples of letters written by interesting people, check out the website Letters of Note.

    Fiction

    Lyric writers often write from personal experience, but sometimes writing a better song means modifying – or entirely inventing – characters, places, and situations. Writing fiction is a great way to practice creative writing outside of the tight constraints of lyric writing.
    Writing a short story is great practice in using language to describe vibrant characters, settings, and situations. If fiction intrigues you, Writer’s Digest Press prints some excellent books and eBooks about writing.

    Rhetoric

    Rhetoric is the study of effective speaking and writing. And the art of persuasion. And many other things.
    — Silva Rhetoricae
    “Rhetoric” is a word we often use to describe the bluster of executives and politicians. Look into its history, though, and you’ll find that the art of rhetoric is actually a serious discipline reaching all the way back to ancient Greece.
    One of the best things about the art of rhetoric is that rhetoricians have labored for centuries to notice, describe, and categorize figures of speech that reach beyond the more famous ones, like simile and metaphor, into lesser-known but useful devices like epizeugma – repetition of a single word for emphasis – or anesis, which involves writing a line that adds a poignant twist to everything written before it. Anesis is a great way to make your listener’s heart sink (in a good way).
    For many more poetic devices like these, and for an introduction to the art of rhetoric, there’s a lot to explore on the website Silva Rhetoricae.

    Drama

    Whether they’re listening to a song about a love affair’s highs or its fiery lows, listeners have a taste for dramatic situations.
    Writing a stage play or a screenplay is a great way to develop your ear for dialogue. It’ll also give you great training in inventing emotional situations and conflicts between characters.

    Poetry

    Of all the forms of writing listed above, this one is probably the one that tests your patience the most. It requires that you really slow down, breathe, and closely examine individual words, even individual syllables. It’s got the most specific, detailed structural demands, and requires that you choose your words very, very carefully.
    Poetry has a rich tradition of poetic forms that force the writer to tie their vocabularies in knots, searching for hours through thesauruses and dictionaries and rhyming dictionaries in search of a word that fits the poetic rhythm, the poem’s topic, and the rhyme scheme. It forces the writer to endlessly iterate the same idea in different forms, going down dead ends often.
    In my opinion, there’s no better writing practice for lyricists. Composing poetry is slow, it’s difficult, and it doesn’t always work out. But when it does, it’s a thing of beauty. When you do finally write a gem, it feels like a huge payoff.
    The best introduction to poetry that I’ve found is the chapter on poetry in Minot’s Three Genres: The Writing of Fiction/Literary Nonfiction, Poetry, and Drama. It’s a college textbook, so it’s expensive – but it’s also 464 pages long, and provides a great introduction to three major genres of literature. It’s worth the expense, and if you’re on a budget you can easily find a used copy.

    Go write!

    A songwriter stands to learn a lot by being a man, woman, or androgyne of letters. Dabble, experiment, study, and have fun… There’s a lot of joy to be found in filling up text files and spiral bound notebooks.
    Posted on September 9, 2015